programme

Legal Trials and Public culture in India

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Course TypeCourse CodeNo. Of Credits
Foundation ElectiveSLGC2LP2094

Semester and Year Offered: 3rd Semester course for M.A 2nd year students (Monsoon Sem 2018)

Course Coordinator and Team: Lawrence Liang

Email of course coordinator: Lawrence[at]aud[dot]ac[dot]in

Pre-requisites: None

Course Aim:

This course examines the public cultures of law. From the media coverage of legal trials and appellate cases to filmic representations, law serves as a crucial site for the staging of public dramaturges of justice. In the course we will examine three such sites - the legal trial as theatre of justice, cinema as an archive of law and citizenship and the legal event as media event in the contemporary. Following Veena Das’s formulation of the critical event, this course asks what it means to think of the critical legal event in India. While legal cases are primarily studied for their legal consequences and their success or failure in delivering justice in individual cases, many legal events gain a significance beyond and become a part of a public memory as moments that redefine politics and culture. The course will equip students with

  1. A better understanding of the public life of law and legal institutions
  2. An analytical framework to understand the relationship between law, culture and media
  3. An understanding of legal history beyond constitutional cases

A brief description of the Course:

While there has been much scholarship on the relationship between constitutional law and political history in India, therein much lesser attention paid to the role of trials in shaping public consciousness. Legal trials have played a significant role in shaping political events and moral debates in India. In this course we will examine trials (from the colonial and postcolonial period) that captured the imagination of the public and transcended their status as legal events into ‘critical events’. These trials will range from political trials to scandalous passion crimes and in many instances we will look at the thematic continuities between the colonial period to the postcolonial.

Some of the topics that we will cover in the course include:

  • The Idea of the ‘big trial’ and it place in Indian history
  • Political trials (Bhagat singh trial, INA trials and Meerut conspiracy case)
  • Sedition trials from Gandhi and Tilak to the Kanhaiya Kumar sedition case
  • Crimes of passions (Tarakeshwar murder, Abdul Bawla trial and the Nanavati trial)
  • Identity on Trial (Bhawal Sanyasi case, The Lal Bihari Case)
  • Hate speech and Communal relations (From the Rangila Rasool affair to contemporary debates on hate speech)
  • International Comparison (The Mandela trial and the O J Simpson case)

 

Legal Trials and Public culture in India

 

 

Course Aims and Objectives

 

 

  • A better understanding of the public life of law and legal institutions
  • An analytical framework to understand the relationship between law, culture and media
  • An understanding of legal history beyond constitutional cases

 

 

Background Books

 

The following books provide useful overviews of the field

A G Noorani, Political Trials

 

Sadakat Kadri, The Trial: A History From Socrates to O. J. Simpson

 

Lawrence M. Friedman,  The Big Trial: Law as Public Spectacle

 

 

 

Syllabus with List of Readings

 

 

Module 1: Political Trials and the Theatres of Political Justice - 1

 

 

 

 

Topics to be Covered:

 

(The Trial of Bahadur Shah Zafar)

(Political Violence and Legal trials- Alipore Bombing and Bhagat Singh trial)

 

 

 

 

 

Week 1

 

Focus: The OJ Simpson trial

 

(Clips fro two film and the trial will also be shown)

 

 

Introduction : Legal Trials and their Publics

 

Extracts from Hannah Arendt, The house of Justice and Epilogue from Eichmann in Jerusalem, (Chapter 1, The house of justice and Epilogue)

Basak Ertur,  Chapter 1, Theorising political trials from Spectacles and Spectres Political Trials, Performativity and Scenes of Sovereignty

 

Sadakat Kadri, Introduction to The Trial: A History From Socrates to O. J. Simpson

Additional Readings

 

Eugenia Lean, Public Passions: The Trial of Shi Jianqiao and the Rise of Popular Sympathy in Republican China, pp.1-20

 

Extracts from James Boyd White, . The Legal Imagination. Chicago: University of Chicago Press, 1985.

Robert A. Ferguson, “Where Courtrooms and Communities Meet” in The Trial in American Life, pp.33-88 (The Scopes Trial)

 

 

Week 2:

The Trial of Bahadur Shah Zafar

 

William Dalrymple, Chapter 12 and 13 of The Last Mughal: The Fall of a Dynasty, Delhi, 1857

Mahmood Farooqui, Extract from Besieged: Voices From Delhi 1857

Extracts from Trial transcripts of the Bahadur Shah Zafar trial

Pramod Nayar, Introduction The Trial of Bhadur Shah Zafar

 

Additional readings

 

John Laughland, Regime Change and the Trial of Saddam Hussein from A History of Political Trials

 

Anindita Mukhopadhyay, Chapter 1: The Creation of Categories and Spaces from Behind The Mask: The Cultural Definition of the Legal Subject in Colonial Bengal (1715-1911)

 

 

Week 3 :

Political Violence and Trials (Alipore Bombing, Bhagat Singh Trial)

 

 

Alipore Bombing & Bhagat Singh trial

Noorul Hoda, Alipore bomb case, pp.49-144

A G Noorani, The Trial of Bhagat Singh: Politics of Justice, pp.47-190

 

Kama Maclean, Chapter 1 “Of history and legend” from  A Revolutionary History of Interwar India: Violence, Image, Voice and Text, pp.46-92

 

Additional Readings

Kuldip Nayar, Without Fear: The Life & Trial of Bhagat Singh, pp.82-189

Peter Heehs, The Bomb in Bengal: The Rise of Revolutionary Terrorism in India, 1900-1910, pp.155-218

 

 

Week 4

 

Political Trials and the Theatres of Political Justice – 2 (Sedition on Trial)

 

Kaviraj, Sudipta. “Gandhi’s Trial and India’s Colonial State.”   in Experiencing the State, edited by Lloyd Rudolph and John Kurt Jacobsen, 293–308. New Delhi: Oxford University Press, 2006.

Suresh Karma, Law and Radical Rhetoric in British India: The 1897 Trial of Bal Gangadhar Tilak

Ramachandra Krishna Prabhu, Two Memorable Trials of Mahatma Gandhi

Extracts from , A G Noorani, Jinnah and Tilak

 

 

 

 

Week 5: 

The Waning Theatre of Colonial Justice (The INA Trial)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Amitav Ghosh, India’s untold war of independence, The New Yorker, Jun 23 1997

 

Kirsten Sellars, Treasonable conspiracies at Paris, Moscow and Delhi: The legal hinterland of the Tokyo Tribunal

Bhulabhai Desai, The INA defence statement

 

Noorani, The Indian National Army (INA) Trial (1945) from Political Trials

 

 

Additional Readings

 

Maybritt Jill Alpes , The Congress and the INA Trials, 1945–50

M C Setalvad, I.N.A. Red Fort trial from Bhulabhai Desai

 

Kirsten Sellars, Meanings of Treason in a Colonial Context Indian Challenges in the INA trial

 

Peter Ward Fay, Trial at red fort from The Forgotten army

 

Module 2: The  Cultural life of legal trials in India in print and popular culture

 

 

Topics to be Discussed

 

In the second module we will engage two major sites of public culture in India: law and cinema. As institutions that stake a claim on public imagination, both law and cinema siginifcantly shape and alter the political and legal imagination of millions of people. It is therefore surprising given how persistently these two worlds cross reference each other that law and cinema have often been seen as distinct rather than overlapping force fields: of power and culture. A large number of people in India first encounter institutions of law and justice via cinema and films serve as a crucial archive of poplar legal consciousness. However beyond their putative value, the course assumes that films are also critical legal texts in the ways that they think about questions of law and justice -both historically and conceptually. If the law has over determined film and film going (from censorship to copyright and regulation of cinema theatres), then it has also been challenged by film’s diegetic sovereignty from the law. On the silver screen the ordered world of law collapses giving way to melodramatic and fantastical possibilities of justice. Courtrooms and cops, vigilante justice and revenge are themes that have been so crucial to Indian cinema that it is virtually impossible to think of narrative films without these concerns. The legal world in cinema is one where the theme of justice plays out not in public institutions of justice but in shadow courtrooms instituted on cinema screens across the country and where the accused is often neither a petty thief nor a dreaded vigilante but the legal system itself.

 

 

Week 6: Constituting the Nation: Cinematic Citizenship and Courtroom dramas

 

 

 

Austin, Granville. The Indian Constitution: Cornerstone of a Nation. 2nd ed. South Asia Books, 1999.

 

Ravi Reichman,  The Affective Life of Law: Legal Modernism and the Literary Imagination. Stanford, Calif.: Stanford University Press, 2009.

 

Austin Sarat,  Law in Everyday Life. Amherst Series in Law, Jurisprudence, and Social Thought. Ann Arbor: University of Michigan Press, 1993.

 

Additional Readings

 

Stanley Cavell, Cities of Words: Pedagogical Letters on a Register of the Moral Life. Cambridge, Mass: Belknap Press of Harvard University Press, 2004. 

 

 

 

Films: Awara and Kanoon

 

 

Week 7: Sensationalism and trials in print culture

 

In this module we will examine extracts from the writings of an intriguing lawyer and journalist K L Gauba. Gauba  wrote prolifically about sensational trials and his books were sold alongside popular crime fiction.  A compilation will be provided of his writings on the most significant and sensational cases in India

 

Selections from K.L.Gauba’s books

 

 

 

 

Module 3 Crime, Passion  and the pathological  public sphere

 

 

In the post mediatized landscape that we occupy the publicness of law has merged with other aspects of social life (politics, scandal, sensation) in way that potentially alters our traditional understanding of law and legal process. While the courts have always been central to the imagination of public culture in India the rise of a judicial activism immersed it into the heart of populist politics and the courts started gaining a prominence as a media actor in a way that was perhaps reserved for politicians and entertainers. The phenomenon of the Public Interest Litigation was as much as media event as a legal event mobilizing new ideas of access and participation in the legal process thereby changing the nature of social and political  movements as well. The era of the PIL could be described as one in which we saw a mass legal turn in politics. The growth of satellite television ensured that the courts were now a part of the world of proliferating media and like every other phenomenon has also been the subject of leaks, sting operations and scandals. In recent times the corruption scandal over R G Anand resulted in a long Supreme Court decision on sting operations, there is an ongoing case in the Supreme court on the way that the media should cover SC cases.

The line between the courtroom and the studio increasingly get blurred so even as the media converts legal process into a legal event, the courts are simultaneously being asked to respond to the question of new technologies of seeing, the new discourse of transparency and sovereignty. The CSDS research program takes this idea of the legal event as it starting point and will in the next few years produce work which allows us to rethink the relationship between law, publicity and public interest.

 

 

 

Week 8 :

Trials and the Making of Political Communities (Hate Speech in the Rangeela Rasool affair and after)

 

 

Asad Ahmed, Chapter 4: SOVEREIGNTY AND SECTARIANISM from Adjudicating mulims-law and blasphemy in colonial india

 

Julia Stephens, Politics of Muslim Rage Secular Law and Religious Sentiment in Late Colonial India

 

Niti Nair, Beyond the 'Communal' 1920s: The Problem of Intention, Legislative Pragmatism, and the Making of Section 295A of the Indian Penal Code

 

 

Additional Readings

 

NISHANT KUMAR, Laws and colonial subjects: the subject–citizen riddle and the making of section 295 (A) from Subjects, Citizens and Law: Colonial and Independent India

 

C. S. Adcock, Violence, Passion, and the Law: A Brief History of Section 295A and

Its Antecedents

 

Girja Jain, Rangeela Rasul and its aftermath, in The book on trial fundamentalism and censorship in india, pp.47-60

 

 

M F Hussain Judgment

 

 

 

Week 9:

Passion Crimes and the reshaping of the Public sphere -1 (Tarakeshwar Affair and Bawla Murder)

 

 

 

Eugenia Lean, Public Passions: The Trial of Shi Jianqiao and the Rise of Popular Sympathy in Republican China, pp.1-20

 

Jennifer Petersen, Media, Emotion, and the Public Sphere, from Murder, the Media, and the Politics of Public Feelings: Remembering Matthew Shepard and James Byrd Jr

John Jervis, Introduction, Chapter 2, Sensational Subjects: The Dramatization of Experience in the Modern World

Tarakeshwar Affair and Abdul Bawla Murder

 

Sarkar, Tanika (2005). "Talking about scandals". Hindu wife, Hindu nation. Permanent Black. pp. 72–74.

 

Chattopadhyay, Swati (2005). "Representing sexual transgression". Representing Calcutta: modernity, nationalism, and the colonial uncanny. Routledge. pp. 225–237

 

Angma Dey Jhala, The Malabar Hill murder trial of 1925: Sovereignty, law and sexual politics in colonial princely India

 

 Troubles In Indore, The Maharaja’s Women: Loving Dangerously From Courtly Indian Women In Late Imperial India

 

Extracts from Times of India Archives on the Bawla Murder Trial

 

 

Week 10: Passion Crimes and the reshaping of the Public sphere -2 (From Nanavati to Aarushi)

 

 

Gyan Prakash, The tabloid and the nation, from Mumbai fables

New Yorker Article on Nanavati

Aarti Sethi, “The Honourable Murder: The Trial of Kawas Maneckshaw Nanavati,” in Sarai Reader 05: Bare Acts,

 

Sabeena Gadihoke, Sensational Love Scandals and their After-lives: The Epic Tale of Nanavati, BioScope 2(2) 103–128

 

Kalyani Ramnath, The Colonial Difference between Law and Fact: Notes on the Criminal Jury in India, The Indian Economic and Social History Review, 50, 3 (2013): 341–363

 

 

Additional Readings

 

Indra Sinha, The Death of Mr. Love (London)

Extracts from Salman Rushdie, Midnight’s children

 

Murali Menon, Love/Death and Scandal in Bombay, 

Laura-Eve Moss, “He Has Ravished my Poor, Simple, Innocent Wife!”: Exploring the Meaning of Honor in the Murder Trials of George W. Cole, from Murder on Trial: 1620-2002

 

 

 

Week 11: Passion Crimes and the reshaping of the Public sphere -2 (Media, Affect and Murder in Legal Imagination)

 

 

 

Meena Baghel, Death in Mumbai

Avirook Sen, Aarushi

Trial by Error: The Aarushi Files, http://www.arre.co.in/series/aarushi/

 

 

Week 12: Certainty, Identity and Trials as History

Bhawal Sanyasi

 

Partha Chatterjee, The Princely Impostor

 

Natalie Zemon Davis, The Return of Martin Guerre

 

Lal Bihari case

http://indiatoday.intoday.in/story/land-mafia-victims-the-poor-and-living-dead-land-owners-of-eastern-uttar-pradesh/1/253549.html

http://www.openthemagazine.com/article/nation/the-living-dead

http://www.indiatvnews.com/news/india/living-dead-man-sues-up-gvt-for-rs-25-cr-54753.html

http://www.dailymail.co.uk/indiahome/indianews/article-2169322/Dead-men-walking-Hundreds-UP-alive-declared-deceased-government-records.html

 

 

1. Assessment Methodology:

A combination of mid term examination, books reviews, response essays, presentations, final exam

  • Rough break up:
  • Short Response Essays: 20%
  • End Term Exam: 20 %
  • Class Presentations: 20%
  • Book Review: 10%
  • Written Project: 30%

 

2. No. of students to be admitted: 20

3. Special needs in terms of special expertise of faculty, facilities, requirements in terms of studio, lab, clinic, library, classroom and others instructional space, linkages with external agencies (e.g., with field-based organizations, hospital) etc.:

NOTE:- 

  • Modifications on the basis of deliberations in the Board of Studies may be incorporated and the revised proposal should be submitted to the Academic Council.
  • Courses which are meant to be part of more than one programme, and are to be shared across schools, may need to be taken through the Boards of Studies of the respective schools.
  • In certain special cases, where a course does not belong to any particular school, the proposal may be submitted directly to the Academic Council.